Showing posts with label British Folk Rock. Show all posts
Showing posts with label British Folk Rock. Show all posts

Sunday, April 3, 2022

Uriah Heep / The Magician's Birthday (1972)


United Kingdom

Hard Rock, Progressive Rock, Pop Rock, Folk Rock, British Folk Rock

Uriah Heep's 4th album in the chronological order, which was not able to come to the fore and find the place it deserves in the 70s, is one of the albums that made Heep more known by going beyond what we mentioned above.

Especially the third track of the album, Easy Livin, has an undeniable influence on this issue. With its short, concise and concise structure, it is one of the most well-known and melodic songs of the genre: Rock, Rock'n Roll, Heavy Rock or whatever you call it.

Continuing with the band member changes without interruption, the two members of the previous album Look At Yourself, Paul Newton and Iain Clarke, leave, and they are replaced by Lee Kerslake on drums and Gary Thain on bass guitar. Kerslake remained the drummer of Heep until 2007, excluding some minor differences. Bassist Thain, on the other hand, had a long way to go, but he left both the band and life towards the end of 1974 thanks to his heroin overdose. But don't get discouraged, because he got the chance to record 3 albums with Heep.

Demons And Wizards is one of the concept albums in line with the structure of the period. It consists of different parts that revolve around the main story from start to finish. Recorded in March - April, the album was released on 19 May 1972.

The opening of the album begins with The Wizard, who was later nicknamed Hensley. The song, which creates the impression of calm with its acoustic entrance, takes on a more rigid structure unexpectedly.

The Traveller in Time, which follows, reveals from the very beginning where it is going with its harsh entrance. Hensley's keyboard plays, Box's guitars to keep up with him, and Byron's raspy vocals create a festive mood.

Easy Livin', which we just mentioned, is in the third place in the album. It stands out with its fast, hard and melodic structure.

The next song can make a name for itself, if nothing else; Poet's Justice. Although it may seem flat and even monotonous at first, it is a good lesson about what can be done in 4 minutes.

Circle of Hands, which I haven't been able to categorize for years, is the 5th song of the album. While the song creates the impression of a ballad, it takes on a harmonic harshness. It breaks away from the main structure and goes to a different place. It is not clear where it starts and where it ends. Personally, I can say it's the best part of the album.

But whenever I say such assertive words, I stay like that. Because the next song, Rainbow Demon, is one of the songs that highlights the album, just like the previous one. It often creates the impression of a piece that needs to accompany a ritual.

In every album, there is a song that is foreign to me and that I think about what it is doing in the album, which is the "it" song of this album; All My Life. I don't have much to say about it! You'll understand when you listen to it.. It's not bad, but it's a piece of "what's that doing here...?"

Although the last two songs, Paradise and The Spell, are included in the album as 2 separate songs, it is actually a single and long track in progress. The Spell begins where Paradise ends. Acoustic incoming Paradise turns into The Spell at a melodic point, and The Spell differentiates the melodic structure with the sounds fed from the keyboard in between.

Members
Mick Box (guitar, vocals), David Byron (vocals, 1969-76), Ken Hensley (keyboards, guitar, vocals, 1969-80), Paul Newton (bass, vocals, 1969-71), Alex Napier (drums, 1969-70), Nigel Olsson (drums, percussion, 1970), Keith Baker (drums, 1970), Iain Clark (drums, 1970-71), Mark Clarke (bass, 1971-72), Lee Kerslake (drums, percussion, 1971-79, 1981-2007), Gary Thain (bass, 1972-75), John Wetton (bass, keyboards, vocals, 1975-76), John Lawton (vocals, 1976-79), Trevor Bolder (bass, 1976-81, 1983-2013), John Sloman (vocals, piano, percussion, 1979-80), Chris Slade (drums, percussion, 1979-80), Gregg Dechert (keyboards, 1980), John Sinclair (keyboards, vocals, 1981-86), Peter Goalby (vocals, 1981-85), Bob Daisley (bass, vocals, 1981-83), Phil Lanzon (keyboards, vocals, 1986-present), Steff Fontaine (vocals, 1986), Bernie Shaw (vocals, 1986-present), Russell Gilbrook (drums, 2007-present), Dave Rimmer (bass, 2013-present)

Track Listing

1. Sunrise (4:04)
2. Spider Woman (2:25)
3. Blind Eye (3:33)
4. Echoes in the Dark (4:48)
5. Rain (3:59)
6. Sweet Lorraine (4:13)
7. Tales (4:09)
8. The Magician's Birthday (10:23)


Saturday, April 2, 2022

Uriah Heep / Demons And Wizards (1972)


United Kingdom

Hard Rock, Progressive Rock, Pop Rock, Folk Rock, British Folk Rock

Uriah Heep's 4th album in the chronological order, which was not able to come to the fore and find the place it deserves in the 70s, is one of the albums that made Heep more known by going beyond what we mentioned above.

Especially the third track of the album, Easy Livin, has an undeniable influence on this issue. With its short, concise and concise structure, it is one of the most well-known and melodic songs of the genre: Rock, Rock'n Roll, Heavy Rock or whatever you call it.

Continuing with the band member changes without interruption, the two members of the previous album Look At Yourself, Paul Newton and Iain Clarke, leave, and they are replaced by Lee Kerslake on drums and Gary Thain on bass guitar. Kerslake remained the drummer of Heep until 2007, excluding some minor differences. Bassist Thain, on the other hand, had a long way to go, but he left both the band and life towards the end of 1974 thanks to his heroin overdose. But don't get discouraged, because he got the chance to record 3 albums with Heep.

Demons And Wizards is one of the concept albums in line with the structure of the period. It consists of different parts that revolve around the main story from start to finish. Recorded in March - April, the album was released on 19 May 1972.

The opening of the album begins with The Wizard, who was later nicknamed Hensley. The song, which creates the impression of calm with its acoustic entrance, takes on a more rigid structure unexpectedly.

The Traveller in Time, which follows, reveals from the very beginning where it is going with its harsh entrance. Hensley's keyboard plays, Box's guitars to keep up with him, and Byron's raspy vocals create a festive mood.

Easy Livin', which we just mentioned, is in the third place in the album. It stands out with its fast, hard and melodic structure.

The next song can make a name for itself, if nothing else; Poet's Justice. Although it may seem flat and even monotonous at first, it is a good lesson about what can be done in 4 minutes.

Circle of Hands, which I haven't been able to categorize for years, is the 5th song of the album. While the song creates the impression of a ballad, it takes on a harmonic harshness. It breaks away from the main structure and goes to a different place. It is not clear where it starts and where it ends. Personally, I can say it's the best part of the album.

But whenever I say such assertive words, I stay like that. Because the next song, Rainbow Demon, is one of the songs that highlights the album, just like the previous one. It often creates the impression of a piece that needs to accompany a ritual.

In every album, there is a song that is foreign to me and that I think about what it is doing in the album, which is the "it" song of this album; All My Life. I don't have much to say about it! You'll understand when you listen to it.. It's not bad, but it's a piece of "what's that doing here...?"

Although the last two songs, Paradise and The Spell, are included in the album as 2 separate songs, it is actually a single and long track in progress. The Spell begins where Paradise ends. Acoustic incoming Paradise turns into The Spell at a melodic point, and The Spell differentiates the melodic structure with the sounds fed from the keyboard in between.

Members
Mick Box (guitar, vocals), David Byron (vocals, 1969-76), Ken Hensley (keyboards, guitar, vocals, 1969-80), Paul Newton (bass, vocals, 1969-71), Alex Napier (drums, 1969-70), Nigel Olsson (drums, percussion, 1970), Keith Baker (drums, 1970), Iain Clark (drums, 1970-71), Mark Clarke (bass, 1971-72), Lee Kerslake (drums, percussion, 1971-79, 1981-2007), Gary Thain (bass, 1972-75), John Wetton (bass, keyboards, vocals, 1975-76), John Lawton (vocals, 1976-79), Trevor Bolder (bass, 1976-81, 1983-2013), John Sloman (vocals, piano, percussion, 1979-80), Chris Slade (drums, percussion, 1979-80), Gregg Dechert (keyboards, 1980), John Sinclair (keyboards, vocals, 1981-86), Peter Goalby (vocals, 1981-85), Bob Daisley (bass, vocals, 1981-83), Phil Lanzon (keyboards, vocals, 1986-present), Steff Fontaine (vocals, 1986), Bernie Shaw (vocals, 1986-present), Russell Gilbrook (drums, 2007-present), Dave Rimmer (bass, 2013-present)

Track Listing

1. The Wizard (2:59)
2. Traveller in Time (3:26)
3. Easy Livin' (2:37)
4. Poet's Justice (4:14)
5. Circle of Hands (6:27)
6. Rainbow Demon (4:30)
7. All My Life (2:46)
8. Paradise / The Spell (12:41)


Friday, April 1, 2022

Uriah Heep / Very Eavy Very Umble (1970)


United Kingdom

Hard Rock, Progressive Rock, AOR, Pop Rock, Folk Rock, British Folk Rock

An amazing first album. Very different from Demons and Wizards and Magician's Birthday albums. It's a complete Heavy Progressive Rock album.

The opening song Gypsy tells the story of a short gypsy. In the story told in the language of the man who fell in love with the gypsy girl, the man is forced to enter into a power struggle with the woman's father.

Although Walking in Your Shadow, which came right after it, has a structure that symbolizes the next albums, it has the bad luck of coming after a track like Gypsy. Despite the high-end quality of the piece, Gypsy's being "more" surpasses it.

Come Away Melinda, which is one of the songs identified with Heep and ranked third on the album, is actually a cover, that is, a reinterpreted song. Melinda, made as a song with anti-war lyrics by Fred Hellerman and Fran Minkoff, first appeared on Harry Belafonte's 1963 album Streets I Have Walked. It has been reinterpreted many times later, one of the best of which is the Uriah Heep version.

And the blues pride of the album is Lucy Blues. Hensley's piano movements and Box's calm guitar combined with Byron's magnificent voice. It is a special piece, completely different from all the tracks that will be included in Heep's later albums.

Dreammare, which has perhaps one of the best intros of rock music, Real Turned On, whose melodic structure is divided differently by Byron's vocals, and I'll Keep On Trying ending, which gives pleasure from beginning to end and makes one want to run furiously on the grass, with its completely different structure. The piece is like preparation for Wake Up (Set Your Sights).

With Wake Up, Heep hits both the album and his musical understanding and closes the issue. The next album signals that everything will be different in Salisbury.

Members
Mick Box (guitar, vocals), David Byron (vocals, 1969-76), Ken Hensley (keyboards, guitar, vocals, 1969-80), Paul Newton (bass, vocals, 1969-71), Alex Napier (drums, 1969-70), Nigel Olsson (drums, percussion, 1970), Keith Baker (drums, 1970), Iain Clark (drums, 1970-71), Mark Clarke (bass, 1971-72), Lee Kerslake (drums, percussion, 1971-79, 1981-2007), Gary Thain (bass, 1972-75), John Wetton (bass, keyboards, vocals, 1975-76), John Lawton (vocals, 1976-79), Trevor Bolder (bass, 1976-81, 1983-2013), John Sloman (vocals, piano, percussion, 1979-80), Chris Slade (drums, percussion, 1979-80), Gregg Dechert (keyboards, 1980), John Sinclair (keyboards, vocals, 1981-86), Peter Goalby (vocals, 1981-85), Bob Daisley (bass, vocals, 1981-83), Phil Lanzon (keyboards, vocals, 1986-present), Steff Fontaine (vocals, 1986), Bernie Shaw (vocals, 1986-present), Russell Gilbrook (drums, 2007-present), Dave Rimmer (bass, 2013-present)

Track Listing

1. Gypsy (6:38)
2. Walking in Your Shadow (4:30)
3. Come Away Melinda (3:48)
4. Lucy Blues (5:08)
5. Dreammare (4:37)
6. Real Turned On (3:39)
7. I'll Keep On Trying (5:27)
8. Wake Up (Set Your Sights) (6:20)